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Cannes 2015: Yorgos Lanthimos’“The Lobster” knows a thing about love (review)
Yorgos Lanthimos is ready for something more pop. And deep. And romantic. And emotionally disarming. “The Lobster” begins with a close-up of a woman at the wheel driving in the countryside on a rainy...
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Cannes 2015: The Hungarian “Son of Saul” is a hell ready for the Palme d’Or...
Hungarian László Nemes, the debutant of the Official Competition, envelops us in the flames of the Holocaust and with the horror of an intensive and serious horror film, he becomes a serious contender...
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Cannes 2015: The perfect crime, Jean-Paul Sartre and some more existential...
Woody Allen explores once more his favourite theme, that of the perfect crime, this time with an existential starting and ending point, and the excessively unbearable lightness that inevitably...
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Cannes 2015: Fake emotions and forced laughter in “Mia Madre” by Nanni...
Once upon a time Nani Moretti made personal, tender, interesting films. Not anymore. Margherita, the central character of Nanni Moretti’s “Mia Madre”, is a director, amidst the filming of her new film....
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Cannes 2015: Meet “Amy”, a girl who wanted to write music and fall in love...
Whatever Asif Kapadia’s ‘ documentary about Amy Winehouse was going to be, it would have made us cry. And it did just that. Amy Winehouse’s is a very recent story, that feels as if it happened...
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Cannes 2015: Paolo Sorrentino finds again great beauty in all ages (review)
Paolo Sorrentino after his Oscar with «The Great Beauty» returns to Cannes with another masterpiece. So majestic that it may become a timeless classic. But also so simple that you know it will remain a...
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Cannes 2015: The myth of mother and woman Ingrid Bergman – in her own words...
100 years after her birth, Ingrid Bergman gives her blessing to the Cannes Film Festival every day from her portrait in its official poster. A documentary with access to her huge archive reveals the...
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Cannes 2015: Kiyoshi Kurosawa in a beautiful, redemptive “Journey to the...
Faithful to a metaphysical cinema that speaks primarily of people, Kiyoshi Kurosawa brings his minimal mastery to “Un Certain Regard” with a film – feast for the eyes and soul about all that unites the...
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Cannes 2015: One shot makes the difference in Michel Franco’s “Chronic” (review)
Tim Roth is excellent in an intriguingly enigmatic film that shoots itself not in the foot, but in the head with its final scene. Michel Franco, the Mexican director of “After Lucia”, a tough drama...
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Cannes 2015: Building a life and a family from scratch, in Jacques Audiard’s...
Without any intention of easy sensationalism, Jacques Audiard returns with another illustration of meaningful, mature, great cinema with heart and strength. Along with Yalini, a young woman who is...
View ArticleVenice Film Festival’s “Sala Web” Returns For Innovative Online Screenings
Following three successful years incorporating an online screening experience to the regular programming of the Venice Film Festival, the Biennale has announced that its innovative Sala Web initiative...
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Waiting for the world premiere of “The Great Eastern” by Lakis & Aris Ionas /...
The Onassis Cultural Centre launches its monthly collaboration with the film site Flix.gr starting this December 2016 with the world premiere of “The Great Eastern”, the second feature film of the...
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